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no frills. no editing. no fancy words. no holds barred.
AAAAWWWW KRIS ALLEN…
Haven’t posted much. Possibly because all I can say is I’m so in love. Oh and I got bored the other day… so I bought a condo unit at the Bellagio in The Fort.
And bakit may multiply account na ang nanay ko?! Hm?!
Plus 5 books that cost about $30 each. And it’s only our second day. WOAH. All we do is sit down, pay attention, do some reading and research when we get home, and come back the next day. And we get to hang around with uber uber cool people too. And it’s nothing - I repeat, nothing - like the corporate world. That’s a good thing, believe me. Sayang lang my crash-shopping for corporate wear, haha, because after our training, we get to work from home. That’s right. Trading in our pajamas, as they put it.
2%. They got 2% of all the applicants for the FX analyst position. There’s 4 of us in the program, and we’re all Ateneans - which is good because we all get along and which is bad because we’re all competitive. But the working environment is not a dog-eat-dog one, it’s pretty much laidback. But don’t get me wrong, the people training us are geniuses. And I mean FX GODS. Imagine, the one giving the lectures dint finish college and the other guy dint major in math or economics, and yet they make tons of money out of FX trading.
Just… WOW.
And did I mention that I’m the only girl in the group?!
Too much, too soon. Am I lucky or what? This year has been great so far. And it just keeps getting better.
And I am in math dept purgatory looking up at my coursemates in heaven. Thank god I gots Serena with me. Haha.
Imagine… Yesterday, I went to the dept before 9am because I was asked to proctor a Ma19 test until 1030. Originally, my planner said that I was to stay in the dept until 12nn only (reviewing for CFA) but Ate Edith asked if I could announce a free cut at 1030 and proctor another test at 12. Since I was the only GA in the dept at that time, I had no choice but to say okay. I barely had time to eat lunch, in fact, I think I just dashed to Prince David to charge my MyPhone (redundant…?) then I had to speedwalk back to the dept. With an empty stomach. Under the sweltering heat.
FUCK.
When I got there, one of the teachers asked me to announce a free cut and Ate Edith asked me to proctor a seatwork from 130-3pm. Daaaaaamn. She said I could just leave the seatwork and ask the students to drop by the dept to pass ‘em. But then I couldn’t leave the class naman right after I distributed the seatwork because a lot of students were coming in late. So I left the class at 230pm. I just dropped by the dept to get my stuff so that I could go home. I hadn’t even stepped outside Ateneo grounds yet when my MyPhone (redundant nga) started ringing. It was an unknown number so I dint answer. Then the caller sent me a text message; it was one of the math teachers asking me to sub and teach Lagrange multipliers for her Ma19 class at 3pm that day. FUCK. HER. 15 frikken minutes before the bell?! And what the hell do I remember about Lagrange multipliers?!
I hate last-minute things like these. This is slavery, I tell ya.
Au revoir Prince David and Katipunan!
The movie was… ehh. Well, you know how I feel about pinoy romantic comedies, especially those that use song titles as movie titles. It’s just indicative of the amount of originality and creativity infused in the film. The only semblance of “creativity” was how the producers shamelessly promoted John’s and Sarah’s endorsements in the movie: Belo, Greenwich, Biogesic, and Jollibee. Branding, tsktsk, low budget obviously. I tried to keep an open mind, believe me… but the movie was everything I expected it to be: shallow, cliche-filled, and just plain ohhhh pleaaaaaaase. Typical. Some things just never change.
When John Lloyd first appeared on screen, the collective “awww” from the audience was too hard to pass up. POTEK. I just don’t get all the fuss about that guy. He’s neither cute nor hot - in fact, he even has a daddy-ish vibe about him and I don’t see the appeal. He’s not even a good actor; Rayver Cruz, Joross Gamboa, and Gio Alvarez (aba kilala ko naman sila, so don’t call me an elitist) outperform him by a mile. For one, John Lloyd’s English diction needs much improvement. He’s been in the acting industry quite a long time already and I don’t understand why his acting doesn’t come off as natural. He doesn’t transcend the role and the discriminatory viewer is always aware that he is just acting.
Sarah Geronimo, on the other hand, has a natural sincerity about her. It’s hard not to emphatize with her character - not because I can relate with her experiences, again, ohhhh pleaaaaaase. But her quirkiness is simply contagious and I can’t think of a better actress for her role (although that’s probably because I haven’t actually watched a lot of pinoy movies in this genre).
From the perpetually annoying “bebe ko… bebe ko? bebe ko! bebe ko…” to the hilarious POWER HUG! POWER KISS!… maybe the movie wasn’t so bad after all, props to Sarah, Rayver, Joross, and Gio. But please bonk me on the head if you catch me about to waste my time on another one of those films.
But then again, at the end of the day, it’s who I watch it with that really matters.
1. Our teacher has consistently been coming to class unprepared and I end up either not learning, learning something wrong, or not paying attention at all.
2. We spend half the period listening to our teacher make a speech about how disappointed he is with our performance. I don’t understand how he can have such high expectations for his students when he is clearly not qualified to teach the subject matter and it seems as though he isn’t taking the necessary measures to remedy this shortcoming.
3. I think I can gain a better understanding of the topics if I spend the time reading the book on my own instead. After all, his lectures are pulled straight from the book and his additional input, if there be any, are mostly erroneous.
4. The reasons to attend class are the same reasons to ditch class:
a. Midterm exam results will be given today. I’m sure I did pretty okay with the exam; not an A, but definitely not a B-minus. But with the way our teacher has been discussing our answers to certain questions, I’m expecting the worst. Although I’d like to know how I did, I’d also like to keep the last remaining shred of respect I have for our teacher.
b. Teacher evaluations will be conducted today. While I’d like to copy this entire post on the evaluation sheet, I’m afraid of doing something that I will someday regret. As a student, it’s a difficult position to be in when your teacher happens to be a close friend. The math department is to blame for placing us in this position. However, our teacher should also be held responsible for making sure that this awkward relationship does not compromise his teaching and our learning.
c. Today is the very last day of class, possibly for the rest of our lives. The previous set of classes have not been very good and as much as I don’t want remember those as my last classes, I fear that, given the way that Risk Management classes have been going, there’s no way to go but down.
As much as I’d like to act like a responsible student, at least for the last remaining days of our academic lives, attending class just borders on impractical and pointless.
Anyway, the news…
Mary Saludares, a 20-year-old member of The Washington Ballet Studio Company, was struck and killed by a car Friday night in Edgewood, State Police said.
The award-winning company was scheduled to perform Sunday at 4 and 7:30 at at Howard Community College’s Smith Theater as part of the Candlelight Concert Society’s Family Series, but The Washington Ballet announced in a release that it had canceled the remainder of its tour. The release said the group was on tour in Harford County when the accident occurred.
According to the State Police, Saludares was crossing Route 24 at Edgewood Road just after 10 p.m. when she was struck by a southbound silver Chevrolet Impala driven by Robert Kane of Abingdon. Saludares was pronounced dead at Upper Chesapeake Medical Center.
State Police were investigating the accident.
“No words can describe the pain of losing Mary,” said The Washington Ballet Artistic Director Septime Webre. “She was not only a beautiful dancer, but a radiant soul who emitted peace and joy. The entire TWB family mourns her passing and extends its thoughts and prayers to Mary’s family.”
Saludares began dancing at the age of 6 under Sofia Elizalde and Raul Sauz at Steps Dance Studio in Manila, Philippines. In 2006, she received the highest Royal Academy of Dance Award, the Solo Seal. She had the honor of being the first Filipino entry in the 2006 Adeline Genée International Ballet Competition.
In 2004, she received the Luva Adameit Award in the first NAMCYA Ballet Competition in the Philippines. She later attended the School of American Ballet and The Washington School of Ballet’s Release Time year-round program. She was selected to join The Washington Ballet Studio Company for its 2008-2009 season, achieving one of her dreams of moving from student to professional.
Saludares is survived by her father, José M. Saludares Jr.; her mother, Marissa S. Saludares; and two brothers, Patrick Vincent Saludares and Bryan Joseph Saludares.
Students and staff are being offered grief counseling services. A memorial service is being planned for early March in Washington to honor Saludares. A private family funeral will be held in the Philippines in the coming days.